RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


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RAFFAELLO Sanzio The Cardinal Virtues oil


The Cardinal Virtues
Painting ID::  51252
The Cardinal Virtues
1511 Fresco, width at the base 660 cm
1511_ Fresco,_width_at_the_base_660_cm
   
   
     

RAFFAELLO Sanzio Justinian Presenting the Pandects to Trebonianus oil


Justinian Presenting the Pandects to Trebonianus
Painting ID::  51254
Justinian Presenting the Pandects to Trebonianus
1511 Fresco, width at the base 110 cm
1511_ Fresco,_width_at_the_base_110_cm
   
   
     

RAFFAELLO Sanzio The Loggetta of Cardinal Bibbiena oil


The Loggetta of Cardinal Bibbiena
Painting ID::  51255
The Loggetta of Cardinal Bibbiena
1516-17 Fresco Palazzi Pontifici
1516-17 _Fresco_Palazzi_Pontifici
   
   
     

RAFFAELLO Sanzio Decoration of the Loggetta oil


Decoration of the Loggetta
Painting ID::  51256
Decoration of the Loggetta
1516-17 Fresco Palazzi Pontifici
1516-17_ Fresco_Palazzi_Pontifici
   
   
     

RAFFAELLO Sanzio The Parnassus oil


The Parnassus
Painting ID::  51257
The Parnassus
1509-10 Fresco, width at base 670 cm
1509-10_ Fresco,_width_at_base_670_cm
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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